D’Watchlist

Summer Is Not Complete Without A ‘Legendary Beatz’

2016 has been a good year so far when it comes to the quality of music that has been released in Nigeria and Africa. If it was ever considered to be mere speculations that Nigerian and African music is evolving, then I believe this new song “L.A.F.F.S from starboy’s dynamic duo, Legendary Beatz is definitely lending authenticity to that claim. The Nigerian production duo, made up of brothers Uzezi “Zei” Oniko and Okiemute “Mutay” Oniko, have been instrumental in producing some of the biggest songs in Nigeria and Africa that have assisted in propelling Wizkid to international
Now to add to their long list of credits, is the new track called “L.A.F.S (Love At First Sight),” featuring the singer Ceeza. The song has the markings of a hit song with a fusion of afropop, dancehall, and a vibrant house beat that makes it a strong dancefloor contender to close out the summer.

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According to Fader.com, “L.A.F.S is a feel good, soul-shifting track that embodies a fusion of dancehall, afrobeats-pop, and tropical house while focusing on traditional African storytelling. A track you can play in a club, in your car, at a bbq or during a lounge session.

We at thepgmclub.com have certified L.A.F.S as a must have for your 2016 Summer Collection.

EXCLUSIVE: AGBADA (FEAT. KOKER) – ZIRRA

Chubstar entertainment’s headline act and music connoisseur ‘Zirra’ releases his brand new single ‘Agbada’ where he features Chocolate city’s Mr Do Something ‘Koker’.

The ‘Reinhard Tega’ produced track showcases Zirra’s versatility as an artiste. The afro-pop fusion track is also the first official release of the highly anticipated EP under the stage name ‘Zirra’ from the already accustomed ‘TimmyT.

The track is a great re-introduction into the scene with the promise of even more electrifying and body pumping tunes from the young artiste.

We at thepgmclub.com are excited to see what he comes up with next.

The Engine driving the fusion movement

Shaped by life experiences from living in Lagos and Accra, Odunsi is pushing the afro-fusion genre to the Nigerian audience and the world, but are they ready to listen?

Nigerian music is entering its fourth cycle since the turn of the century. New acts like Ycee, Dremo & Lil Kesh dominate the air waves. Your girl’s favorite love song isn’t one from Banky or Wizkid, it’s a Kiss Daniel song. This generation is heavily influenced by the trap movement, by the Afro-pop material pioneered by D’banj and Don Jazzy. Then there’s Bowo Odunsi, more commonly known as Odunsi the engine.

With his unique approach to production and song writing, you’re hard pressed finding any references to current trends in his material.

In person he’s a reflection of his music. Calm and reserved. No visible tattoos. No piercings. A regular t-shirt and pants type of guy.

“I just want it to be like a cool shower you know” was his reply when I asked what emotions he wanted a listener to feel. “Like when you just return from work and you take a cold shower, that refreshing feeling. Comfortable vibes. Not too hard not too soft just in the middle”.

Like most 90’s kids born into the Hip Hop generation, Odunsi started out as a rapper. “I was in this group called Yo Gidi with my friends and we used to just do rap freestyles after school, my first rap was me flipping Lil Wayne’s Amili” he says. Then the challenge and complexity of creating beats started appealing to him, “the more I went to studio to hang out the more I got interested in production. So I got the beat making software from the in house producer, Deposit, and I used to try it out on my mother’s laptop cause at the time I didn’t have my own laptop”.

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Switching schools and getting his own laptop gave him more freedom to work and for a while all he did was produce as studio access was limited, he had at the time just a laptop and a few contacts on the underground music scene. In a bid to perfect his production he would go on the internet for tutorials where he found his first production mentor of sorts, Ryan Leslie “Ryan Leslie made me enjoy production. He was the first guy I saw start a beat from scratch cause he was one of the first producers to post videos on YouTube of himself working”.

After graduating high school, Odunsi spent a year in Ghana. He credits the time spent there as an international student at Asheshi university with helping him develop as a person and also musically. “Ghana is like my second home you know.” he says, smiling as he spoke. “I got a lot more self-confident. I learnt a lot about ethics and working hard to achieve your dreams”. It was also during his time in Ghana that the transition from just producer to producer and artist started, as he says “they got to witness it first”.

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On returning to Lagos in January 2016, Odunsi went through a troubling period. “I went through some personal issues and it was a very dark period for me” he says with a dark change in his tone, choosing to not elaborate on the subject, but then his mood lifts as he continues talking about the creation of his debut EP. As he put it “The EP is just a reflection of my life at that point, being positive, going to the studio, meeting friends. For the first time in my life I was making music without feeling guilty, like I wasn’t hiding it from anyone.”

The result of all those positive vibes is a 7 track body of work aptly named Time of Our Lives. We are introduced to his style, which is heavily based on combining mid-tempo melodies and soothing nostalgic beats inspired by house music with relatable lyrics in English, Yoruba and Pigdin. Afro-fusion.

From its mood lifting lead single Happy Hour featuring Ghanaian act Okuntakinte to reggae inspired Vibrate and my personal favorite Uber, the sounds achieve their creator’s intent, they’re like a cold shower after a long day. The melodies are not too soft or too aggressive, the beats relax you all without becoming monotonous at any point.

https://soundcloud.com/odunsi/sets/time-of-our-lives/s-CFZ5y

The attention to detail is also very impressive, with all the sounds organically created “I didn’t want any samples for this project so all the instruments were recorded live” Odunsi replies when I ask about the recording process. “So the sound was as authentic as possible. I did a lot things production wise that I hadn’t done before for the EP. I was more mature with my approach to it” he says. “It was just about good vibes and also a creation of timeless sounds. That’s why I named it time of our lives, basically I wanted to create music that you couldn’t match to a specific era.”

And it hasn’t gone unnoticed either. Influential A&R exec Bizzle Osikoya became a fan after discovering Odunsi on twitter, he’s getting airplay from radio stations all the way out in Ghana, has the second most popular song on Ghanaian iTunes and a few days after this interview Happy Hour was number 2 on The Beat FM UK’s afro beat top 10. Some of this Odunsi finds surprising. “To be honest I have no idea how they got the song” he says when I ask how the song got on Ghanaian radio. “The only radio station I sent it to was the Beat FM in Lagos and I don’t think they’ve even played it yet”. He’s also not frightened about crossing over to the mainstream and owning it. When I ask him if he feels Nigerians are ready for Afro-fusion as an alternative to mainstream Afro-Pop he confidently replies “I feel like Afro Fusion is up next for the Nigerian market”.

https://twitter.com/ihotmusiccharts/status/758948193694420993

But Perhaps the biggest co-sign he has gotten so far came from Blackmagic earlier this year. After hearing Vibrate on Odunsi’s soundcloud page, Blackmagic got in touch and the two of them have been creating a lot of unreleased music for Blackmagic’s new yet to be named album and a joint project is also in the works “Me and Blackmagic have been talking about creating a joint project, Afro-Fusion Vol 1, just to make the style more popular in Nigeria.”

At the same time all the heat he’s getting is attracting a few records labels, and some have been in contact with his team “We’re speaking to a couple of people but I’m keeping my options open and anything can happen” he says in a passive non committing way.

And you can’t really blame him. From Runtown to Skales to Milli, getting signed by a label hasn’t gone as planned for some major members of the 4th generation. When I ask for his take on this, he’s frank with his answer, business like even “I’m learning every day and from what I’ve seen as much as Music is an Art, it’s also a service and striking the balance between both is essential” he says. “If a label is willing to invest resources they expect results cause in the end business is business”.

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Our conversation then veers back to the music and his Happy Hour producer challenge. Basically he asked as many producers as possible to recreate Happy Hour to their own taste and the results have been very impressive drawing attention to another world he’s a part of, the producer underground. As he put it “I’m connected to the upcoming producer community and a lot of the time their work is tailored to suit artists and their creativity is limited in a way, so I wanted to show people that we have some really talented producers in the community”.

As news starts to filter through that Manchester United have just beaten Leicester to win the Community Shield our interview draws to close. Being a passionate football fan I was gutted that I had missed the whole match but spending the time with a musical genius more than made up for it.

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Bridge(LOS) – They Don’t Know

Winner Forster; Popularly known by his stage name “Bridge” a Rapper and Singer, was part of the defunct group “LOS“ known for their nationwide rave “Bad Guy P” and many more.

He is currently in his final year of University studying Music Production and Performance in Leeds, United Kingdom.

After a few years off the music scene focusing on his education, Bridge is back with a new single titled “THEY DON’T KNOW”

THEY DON’T KNOW (TDK) is a song aimed at showcasing the versatility of the rapper’s ability of diversifying and showcasing the western style while infusing afro-fusion on this track, which is centered at his come back to the industry and the reason for the long break.

The song that almost got away

It is 1.37am on a Wednesday morning and once again sleep has eluded me, and this time, it is a song that is banging in my head and has been on repeat for the last 2hours. A song I can’t wait to share with you all. However, before I introduce the song to you Nytcrawlers (music lovers), I must admit to you that I can’t stop beating myself up for sleeping on this one. Well, I didn’t sleep on it, I just forgot to listen, review and share it with you all and for that, I ask for your forgiveness. That said, allow me to reintroduce to you – The Black Couch by Tomi Thomas.

Black Couch VOL I is the first release of the LP which will include genres such as Reggae, soul, RnB, and Hip-hop. The first release will feature songs such as “ Caught a wave, Cheat Codes and Jane” and also other artists such as Santi, Tay, Bridge (LOS), BrisB (LOS) and EsoJay Luciano.

According to Jenna Kahdum from UrbanMass, “Tomi Thomas keeps on flourishing and showing that he is versatile and delivers conscious great music to the world. Black Couch has a relative sound yet has that special touch that makes it not sound like any other artist on the market.”

“ I worked on the BlackCouch LP to push past the boundaries, everyone that worked on this project with me put in their all and I can say we all grew in the art, got a little bit better and that for me is the greatest reward.” says Tomi Thomas

We at thepgmclub.com push traffic to good music and this song right here is ‘GOOD MUSIC’.

DON’T CLASH WITH THE TITAN

In a time when young rappers are burdened by the need to be commercially appealing with dance tracks, Tolu ‘Titan’ Okueyungbo is a breath of fresh air.

With his debut single Me Against The World, Titan introduces us to his signature rap style, sick flow laced with witty bars and storytelling from the point of view of a 19 year old law undergrad who isn’t afraid to make music how he wants to.

We at douglasjekan.com are excited to see what he comes up with next. This has the makings of something special.

BENIE MACAULEY & TOMI THOMAS – THE PAROLZ

Some say that without music life would be a mistake. We at douglasjekan.com believe that without Good Music, the various emotional hurdles of life would be hard to manage. For there are songs for every mood and this new song right here from BENIE MACAULEY & TOMI THOMAS – THE PAROLZ, is definitely one that uplifts your mood and gets you to shake what your mama gave you.

On this day July 20, 2016, we at thepgmclub.com have decided to make ‘The Parolz’ our midweek song of the day. So, should you find yourself in traffic and/or frustrated for any reason, simply listen to the Parolz and allow yourself to be moved by the beautiful vocals of Tomi Thomas, supported by Benie’s audacious afro house beats and a sprinkle of the MasterKraft touch.

Watch out for the full EP ‘Plot 49’ as it drops towards the end of the summer.

Exclusive: Saeon, Poe, Mojeed, Tesh Carter, Tec, Spax

At 4pm on Sunday 10th July, The Beat 99.9 exclusively premiered the most promising collaboration of the year 2016 on #FreshBeatz. The new song titled “I Want U” had Saeon (That boychick), Poe, Tec (SDC), Tesh Carter, Mojeed (Aristocrats Record) all dropping bars as well as the females serenading us with their fine vocals.

We at thepgmclub.com have certified the song as “Dope”.

Press play and listen if you missed it.

Santi – Suzie’s Funeral EP

It’s the 4th of July, 2016 and all I have been listening to since I woke at 4.30am is the new mixtape from Santi (Ozzy B) titled Suzie’s Funeral… Wait for it.

Before I go further about the mixtape, I would like to reintroduce this young cat to you.

Ozzy B or Santi as he is now called is an alternative rapper/singer from Nigeria who combines different genres of music to produce his unique sound. He grew up with a passion for music starting at an early age after listening to his dad’s old records. He started acting at the age of 10 and went into music professionally at the age of 16. He dropped a mixtape in July 2011, which welcomed a lot of buzz and reviews as one of the best Mixtapes ever in Nigeria. He was also one of the ambassadors for Nokia of the successful 2012 ‘Don’t break the beat’ campaign alongside rappers Phenom and Muna. Wizkid also referred to Ozzy B as one of the best artists in Nigeria. Nigerian Icon M.I is also fond of the rapper Ozzy B labelling him as simply talented. In 2013 Ozzy B released a 12 track EP called the Birth of Santi, which was labeled a pioneer in the new generation of Nigerian music and now he drops his third and highly anticipated project called Suzie’s funeral.

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The third project titled Suzie’s Funeral fuses Santi’s unique sounds and different genres of music and ultimately creates his own sound.

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In his words, Santi describes this project as a journey through joy, trials, hard work, sadness and peace which all came together to create “Suzie”. The beauty of this project is the fact that it represents a strong statement about the next generation of artists coming from Nigeria.

The bulk of the production was kept close to home and done by Santi’s Monster Boys including Bankyondbeatz, GMK, and Genio Bambino. The project, on the other hand, features many new school acts including Tomi Thomas, Bris B, Odunsi, Omagz, Bad Bridge and Tay.

For the lyrical content, production and feel good factor when listening to this great piece of art, we at thepgmclub.com rate this project solid 8/10.

Suzie’s Funeral by SANTI, is available for download right here.

You can also enjoy the Ep on the D’Playlist in the player below.

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