ckay

The PGM Club’s Best 20 Songs In 2019

2019 in retrospect was quite a good year as far as the Nigerian music industry is concerned. Over the past 364 days, Afrobeats, Nigeria’s major music export, got more visibility on the world stage, we experienced so many exciting releases and bespoke rollouts. But most of all, we witnessed an influx of a range of young, vibrant and talented artists that dominated the airwaves such that people started to speak of a change of guard in the industry that up until recently was dominated by a duopoly. Amidst a tidal wave of releases this year, we at the PGM Club have come to put out a list of our top 20 records that believe dominated the year. 

Tems – Try Me

A follow up to her year-opening stunner, ‘Looku Looku‘, ‘Try Me’ is a breakout anthem for the oppressed, underrated and understated who have been suppressed from use and abuse. Over a simple and laidback beat, a spirited Tems is on a mission to set herself free as she continuously asks why her subjugator keeps pushing her to the wall.

With a powerful sing-along-hook, this song is so infectious that’d get you in the zone right from your first listen. If there was ever any doubt about Tems skill as a dazzling vocalist and songwriter, ‘Try Me‘ puts that to rest. The record has gained much traction on the airwaves and its video has racked up over a million views on YouTube.

Lady Donli x The Cavemen – Cash

Cash’ is the lead single off Lady Donli’s well-received debut album, “Enjoy Your Life” that got blessed with a Davido-assisted remix. The original single which Lady Donli revealed was recorded at a time when she was broke and frustrated soundtracks our unending hustle and bustle for money. The song has one simple message; this life is one so enjoy it as much as you can. 

Teni- Billionaire

The lead single Teni’s her 6-track EP of the same title, ‘Billionaire’ is that anthem that reaffirmed Teni’s position as a hitmaker after near-misses released earlier in the year.  Produced by Pheelz, ‘Billionaire’ is an up-tempo record, rich in instrumentation and overflows with ambition, providing a perfect blend of a stunning dance record with declarative and prayerful lyrics. Proudly weaving together Yoruba and English over ‘alujo‘-laced percussion, Teni sings of her lofty dreams of being a billionaire as well as the luxury and excess that comes with being one. She also backed this record with a brilliant TG Omori-directed video.

Mojo ft Prettyboy DO – Chop Life Crew

A highly enjoyable record, ‘Chop Life Crew’ as its title suggests is a not-so-subtle reminder that life is short and it is to be enjoyed to the fullest. Both D-O and MOJO deliver energetic verses that drive the message home over a slick production with rolling hi-hats and hard-hitting kicks. The Ronchi-produced record also houses a catchy-hook that gets you bobbing your head and whistling along upon every listen.

Rema – Dumebi

A standout cut off his 4-track self-titled debut EP “Rema“, ‘Dumebi’ is that monster hit that speedily propelled the freshly unveiled Mavins act to stardom.  A very catchy and danceable Afropop record, ‘Dumebi‘ alongside its accompanying video undoubtedly dominated the airwaves throughout 2019 making Rema a household name in no time.  

Reekado Banks – Rora

After a brief self-imposed hiatus, Reekado Banks came back with a King Tuzi-produced bang titled ‘Rora’. Undoubtedly, Reekado Bank took the doubts out of our minds and hushed naysayers with this sleeper hit. Over the mid-tempo Afropop record, Reekado Banks is in full woman-worship mode as he adulates his love interest begging her to ‘calm down’.

Joeboy – Baby

Very early into the year, Joeboy eased himself into the hearts of many with his Afropop love record, ‘Baby’. Over the soft but sparkling instrumental, the young singer openly declares love for his sweetheart, gifting us one of the best sing-along hooks of 2019. And ever since the release of this chart-topping smash, the Empawa has been on a joy ride to stardom and mainstream success. Proving he was no fad, the young singer also followed up with equally beautiful songs, ‘Beginning‘ and ‘Don’t Call Me Back‘ and an impressive 5-track EP, “Love & Light.”

Sarz & WurlD – Mad

Sarz and WurlD finally treated us to their much-teased “I Love Girls With Trobul” EP this year, and one of the standouts off the tape is ‘Mad’. Across the infectious record, WurlD’s artistic strengths are on full display as the song is well written and delivered with a solid vocal performance. He gives us a peek into his “trobul’d” relationship with Sade, one that isn’t exactly going through the best of times. Sarz’s production on the record is so thrilling that the song immediately ensnares you upon its first listen.

Santi – Sparky

A single off his debut album “Mandy and the Jungle,” ‘Sparky’ finds Santi crooning over a soft and minimalist production which leaves enough room for the dominance of the vocals and polished delivery of the dreadlocked singer. Just like the visuals for ‘Freaky’, the accompanying visuals for ‘Sparky’ appears to be highly inspired by the 90s Nollywood culture which others have subjected to ridicule. 

Johnny Drille – Papa

Released in celebration of Father’s Day, ‘Papa’ finds the Mavin Records alternative-folk singer appreciating his dad and crooning about his spirituality spurred and serviced by his father. Backed mainly by stifling strings and solemn keys, Johnny Drille opens the record by recounting the fatherly advice he was given when he was much younger to have his life guided and guarded by faith and prayers. He then describes how his father keeps in touch with him regularly and reminds him not to let go of his spirituality in the strange land he currently finds himself.

 Boj x Kwesi Arthur, Darko Vibes – Awolowo

Over the record produced by the acclaimed ‘alte playmaker’, GMK, BOJ recruits a team of Ghana’s finest; Kwesi Arthur, Darko Vibes and Joey B. The song also features additional vocals by Zamir and guitar by friend-of-the-family, Tomi Thomas.

Across the record, BOJ delivers a chilling hook with his gruff voice over the simplistic but dazzling GMK-production. Kwesi Arthur, Joey B and Darko Vibes also didn’t disappoint, coming through with impressive 16s woven in English, pidgin and their native tongues. This record also has a Naija remix that features Ycee, Fresh L and Falz.

Odunsi – Tipsy

A striking step-forward from last year’s debut album ‘rare.’, ‘Tipsy’ finds Odunsi (The Engine) pushing his music into darker territory, with elements of R&B, soul and pop part of his global-facing, Afro-fusion sound. His vocal interplay with RAYE is the perfect fit, with both artists possessing the character and star quality to naturally complement each other’s talent. This striking record helped to introduce the alte frontman to a wider international audience. 

Buju X Zlatan – Spiritual

One of the amazing talents that 2019 introduced to us is Buju. The young singer is no doubt one of the most talented singers on the rise and is looking to an even more promising 2020. One of the songs that thrust him into the public eye is his August release, ‘Spiritual’ featuring Zlatan. Over the ad-lib laced zanku anthem, Buju’s vocals shine through, dazzling the uninitiated as he croons about his lover over the chilledSteph production. Zlatan also came through on the record with one of his most thrilling verses of the year. 

Davido x Popcaan – Risky

On this Popcaan-assisted record, Davido crafted a beautiful hook from the disjointed, grating and hilarious Hot 97 freestyle. Just a few hours before its release, Davido gave us a fair warning on Twitter “What you all laughed at!! You will dance to!!” and he couldn’t have been more accurate.

Produced by Speroach Beatz, ‘Risky‘ helped reignite the anticipation for his long-awaited sophomore album “A Good Time.”

AYLØ – Paris

AYLØ gave us the first taste of the material he had been working on in silence “Dnt’ Dlt” with the record titled ‘Paris’. On the song centred around fiding beauty, AYLØ delievers a soothing and melodious record over a simplistic and minimalist production. With his emotive vocals on full display, he croons about how he is helplessly in love with his sweetheart. “We are all damaged …” he resigns. This song is co-produced by Le Mav and Odunsi The Engine.

Naira Marley – Opotoyi

Naira Marley isn’t exactly a PGM-type artist, but his influence and dominance this year cannot be understated. Throughout the year, he was surrounded with self-inflicted controversy that kept his name circling in the media and also had a string of hits to his name that made it very difficult for him to be ignored. On ‘Opotoyi’, Naira Marley hops on a catchy and fast-paced Rexxie-produced Zanku beat, ravelling in woman worship and street banter. 

Prettyboy D-O – Dey Go Hear Wehh

For his first post-“Everything Pretty” release, Prettyboy D-O came through with the high energy dancehall-influenced record, ‘Dey Go Hear Wehh’ and its Seyi Akinlade-directed cinematic video.  On the record, D-O delivers frisky verses over the hard-hitting instrumental before coming through with the highly infectious hook cut from a popular Nigerian pidgin dictum. He comes for non-believers and detractors, assuring us that they will soon be shocked beyond measure.

Tiwa Savage – 49-99

For her UMG debut, Tiwa Savage links up with YBNL producer, Pheelz to release ‘49-99‘, a mid-tempo afro-pop record with Afrobeat elements, particularly rich in instrumentation with scintillating underlying strings.

On the record, Tiwa Savage expresses her desire for the good things of life amidst the rife and turmoil in a country some are quick to refer to as a failed state. She is focused on securing the bag to afford herself the luxury designers and fast cars, “Mo fe ra Versace, Mo fe ra Bugatti” she croons.

Burna Boy – Anybody

In the future, when Burna Boy looks back at how much he achieved in 2019, he’d find much to be grateful for. Despite opening the year with a brief fall from grace following his infamous “African Giant” Instagram rant, the Atlantic act managed to turn things around swiftly, weaving it into his best yet – musically. One of the standout cuts and fan-favourite off his “African Giant” album is the percussive gbese anthem, ‘Anybody’. Burna basks in his full feel-good mode,  advocating the cutting off of any bad energy that seeks to kill the vibe. This record was one of the records he performed the most on his amazing post-“African Giant” press run.

Davido x Chris Brown – Blow My Mind 

One of the recurrent pitfalls of international collaborations in these parts is that it sometimes feels forced as most local acts sacrifice chemistry for star power but Davido’s ‘Blow My Mind’ is an exception. A lead single off his highly anticipated sophomore album “A Good Time,” Davido and Chris Brown’s chemistry radiated across the Shizzy-produced number. The sweet-singing Chris Brown seamlessly razzled across the track with a casual air that blessed the soothing and melodious love number with a scene-stealing feature. It was smooth and seamless that they also teamed up again on Chris Brown’s ‘Lower Body’ off his “Indigo” extension.

 

Notable Mentions

Alpha Ojini ft Ycee – One Knee (Chvmeleon)

SDC ft Buju – Do Me Nice (Palmwine Express)

SDC ft Tomi Thomas – Vibration (Palmwine Express)

Amaarae – Like It 

Crayon – Gock Am (Cray Cray)

Gigi Atlantis ft Fasina – Wahala On The Rocks

Ckay – Way (CKay The First) 

Dice Ailes ft Falz -Alakori 

Bris B ft Santi – Supa sigh 

Dami Oniru – Alive (Bri’s Lounge)

Blaqbonez – Shut Up (Mr Boombastic)

 

Remember to check out all these records and keep supporting good music. Cheers!

CKay Releases Sophomore EP “CKay the First”

Last week Friday, August 30, Chocolate City act, CKay released his sophomore EP, “CKay the First“. However, in just a few hours, it was taken down across multiple streaming platforms due to  “leakage” issues. But gladly, after holding our breaths for what seemed to be a lifetime, we finally have our hands on Ckay’s new material.

This project comes just two years after his introductory and debut project, “Who The F*** Is Ckay,” inspired by the infamous Loose Talk episode with M.I and Loose Kaynon.

This 8-track EP is led by the single ‘Way‘, which has been gaining traction on the airwaves and overly lauded by music enthusiasts. It also features appearances fellow new-gen acts, Blaqbonez, BOJ, Barry Jhay and label executive, DJ Lambo. For the production of the album, Ckay recruits Tempoe and Real Btee while also three tracks himself.

Ckay sounds so excited to be having this project out, revealing on Twitter that it had been delayed for over a year. But we are glad it’s finally out and we can get treated to new records from the multitalented act.

Enjoy “Ckay the First” above and let us know what you think.

CKay To Release New Project Later This Month

Chocolate City signee, Ckay has announced the release of his sophomore  “Ckay The First” EP,  scheduled for release later this month. This comes two years after his introductory and debut project, “Who The F*** Is Ckay” which was inspired by the infamous Loose Talk episode.

A few days ago, the singer took to his Instagram page to make the announcement. And ever since, the singer and producer has been teasing the project on his social media pages.

#ckaythefirst this month! y’all ready for this??? 🛸” he posted.

https://www.instagram.com/p/B06Yd5olyy6/?utm_source=ig_web_copy_link

As we await further information on the project as well its official release date, we expect that Ckay will use this opportunity to leave a lasting impression.

Blaqbonez Takes It A Step Further On “Bad Boy Blaq – Re-Up”

Blaqbonez struck gold in 2018. The burgeoning rap sensation has been tirelessly putting in work ever since the release of his mixtape “HipHop In Blaq” in 2013, such that hardly has a year gone by without him releasing a body of work. However, despite the quality of these releases, they were not enough to shed him off the “underground rapper” tag; not until last year when things started to turn around.

 Backed by 100 Crowns and Chocolate City, his debut album, “Bad Boy Blaq”, propelled him into mainstream consciousness. The final project of the game-changing 2018 LAMB August rollout is an experimental and deeply fascinating “Bad Boy Blaq,” which gave Blaqbonez the mainstream acceptance and recognition that had eluded him for years. With the album, he established a foothold in the industry as one of the most talented rap artist rising through the ranks.

Now, barely five months after the release of the breakout album, Blaqbonez is treating us to a follow-up project titled the “Bad Boy Blaq Re-UP.” And as the title implies, this project is built on the successes of its immediate predecessor.

It is not a Part II. It was just due to the fact that we did a lot with the original project, it almost got there but there was like a little bit extra we could do to get it over the line, which is why I worked on the re-up.” He explains in an interview with Pulse.

Ever since the release of the last album, Blaqbonez has continued to maintain a high level of fan-engagement on social media with tweets, hilarious video clips and hot takes on trending issues. As a result, Blaqbonez can boast of one of the most organic, dedicated, and ever-growing cult-following among the young acts today and perhaps the best for hip-hop at the moment.

Blaqbonez may not be popping as much on the streets but mans is pulling quite impressive numbers on the streaming platforms. And now, the release of the Re-Up seems to be Blaq’s latest strategy at maintaining and optimizing his audience retention especially given the short attention span albums are given these days.

The Re-up contains a hazy mix of fresh cuts and remixes of some of the Bad Boy Blaq‘s standout records. Blaqbonez enlists the efforts of an all-star cast of young gifted acts who help to provide several moments of brilliance on the project and also helping the remixed cuts to have a refreshing feel.

The project is arranged in such a way that the remixes off  “Bad Boy Blaq”, come right in between the new songs. This provides a sense of familiarity while listening to the project such that it’s new but doesn’t feel so new. Also, the remixes maintained the exact order by which they appear on the album.

All but two tracks feature guest verses. On the opener and the final track of the project which also happen to be the most personal cuts on the project, Blaq is a lone ranger bringing it all to bear on the records. Both songs are polar opposites, reflecting two different sides of the pink-haired rapper. On ‘No Longer Stupid‘, Blaq is introspective, apologetic and appreciative all in the same breath. Through a reminiscent style of detailing, he recognises how far he has come in the industry and acknowledges the naive mistakes he made on the come up. Acknowledging his growth in several factors, Blaqbonez also appreciates some of those who helped set him straight and those who still showed him loved despite him doing them wrong.

On the flip side, ‘Bxtch’ finds a stone-faced Blaq coming all out at his prior detractors and doubters. On the second verse, he had some not-so-subtle jabs for who many have perceived to be Yung6ix. Although he does not name-drop the rapper, with lines like Somebody stole your lines, okay/Somebody stole your shine, I did it/ Guess Somebody stole your balls/Cos you ain had the guts to try be specific he might as well have as all fingers point to Yung6ix following his reaction to the LAMB Martell Cypher.

Another side of Blaqbonez, the comical and playful one that is hard to miss on his social media pages these days comes to bear on the track ‘Good Boy’. On the tongue-in-cheek anthem for the “nice” guys, Blaq makes up for his limited signing talents by recruiting the efforts of BOJ and CKay who didn’t fail to deliver intoxicating performances. Despite his voice sounding raspy, Blaq also delivers an infectious sing-along chorus that makes record one of the standouts of the project. The playful Blaqbonez also shows up in brief moments in tracks like Denied and Play Remix.

Blaqbonez has come a long way. It’s undeniable that Blaqbonez raw talents are fast being forged into shining diamonds.  He has proven himself time and again as one of the most talented and promising rap artists rising the ranks with a solid and enviable fanbase and this tape is a solid addition to his catalogue. In fact, he is just a hit single short of being a household name.

The “Re-up” might have been birthed from “Bad boy Blaq“, but it breathes a life of its own. The short and sweet project is a showcase of his level of talent and versatility and also a promise of better things to come.

ARTIST & PRODUCER CKAY JOINS CHOC. CITY ROSTER

Chocolate City has just signed talented producer and artist Ckay.

Before being signed, Ckay had been making waves in the Nigerian music scene. He was previously a very active affiliate of the label with production credits including “Give Them” by Koker, “Chike” by Ice Prince and Pryse’s “Who You Epp”. He also has production and co-production credits on TICBN Vol 1 and on M.I.’s Illegal Music 3 where he featured on MI’s sample of “Tay’s The Box” along with Pryse.

We at thepgmclub.com look forward to more amazing music from him and congratulate him on his success.

Scroll to top