adekunle gold

Adekunle Gold releases new single ” It is what it is”

Adekunle Gold fondly called AG Baby releases brand new single ” It is what it is”. This is his debut single for the year and a follow up to his 2020 “Afropop Vol. 1” which was his transition from highlife/jazz to pop music. With his new single, he shows once again that he can genre bend and excel at whatever style of music he picks.

 

Money no dey bring happiness o
Na when I get money money I realise o
But I no be hypocrite
I dey pray make you get your own too
Say bad times will never last
E le mi lo ma last
Life comes at you so fast
Small time you don become wetin you hate
Low key
They hate their moves and their lonely
No energy for nobody
Wey no dey happy for me
For me
Low key
You hate your life and you lonely
No energy for nobody…

 

Production credits to Blaise Beats and Kali. Click here to listen.

Reminisce and Adekunle Gold release ‘Toxic’ from their soon to be released joint EP

Multi-talented rapper, Reminisce comes through with a new tune featuring 79th Element Afropop star, Adekunle Gold, bringing forth ‘Toxic” from their upcoming joint EP. In an Instagram post, the ‘local rapper’ crooner spoke on what informed  his collaboration with Adekunle on this track;

I love how singers bring words to life tru music & I always wanted to do a Rapper/Singer project. Finally that dream is becoming a reality. Let me introduce you to the 1st song off that project, ft Ogbontarigi Olorin & Fellow Manutd Fan @adekunlegold with the tu si! #TOXIC Produced by @sesstheprblm out 12am (Dec 9th).”

This follows soon after Reminisce’s release of his EP ‘ Vibes and Insha Allah’ which dropped earlier this year following a four year hiatus from music. Adekunle Gold himself recently dropped his Afropop EP, vol 1 which is his most notable project this year and showed his transition into a more pop sound.

Toxic is about a venemous woman poisoning her lovers. She is highly attractive,dangerous and ruthless;

I know you want to show me something
Don’t be shy girl, let it loose
Baby this your love is poison
The way you kill me slow
Kill me, Killy me killy me slow
Kill me slow
You know this love is toxic
Kill me
(Baby kill me slow)
Baby kill me slow”

Reminisce raps in English and Yoruba while Adekunle melodiously sings the chorus. This song was produced by Sess and you can click the link here to listen.

Adekunle Gold’s “Afropop, Vol.1” Is Finally Here

Just a week after delivering a teeming verse alongside Wizkid and Omah Lay on DJ Tunez’s ‘Pami’, Adekunle Gold has released his long-teased third studio album “Afropop, Vol.1“. This is a project he first announced on the PGM Radio Show on Wednesday, June 19, 2019, when he premiered ‘Kelegbe Megbe’.

This new album completes Adekunle Gold’s transition into the African pop space, a move that visibly started to take shape from last year’s ‘Before You Wake Up’ but can be traced down to his sophomore album. “About 30”. He has been substituting his signature traditional African sound for something more pop-centric, trendy and synth-led, and we love every bit of it.

This new album contains just 10 songs and it features appearances from Nailah Blackman, Patoranking, Olayinka Ehi and Tekno. It is led by just two pre-released singles, ‘AG Baby’ and ‘Something Different’. Other releases that led to the build up of this album but are notably absent include the Kizz Daniel-assisted ‘Jore’, ‘Kelegbe Megbe’, ‘Before Your Wake Up’ and ‘Young Love’.

Enjoy the album above.

Adekunle Gold Is The Original Badman In ‘AG Baby’ With Nailah Blackman

With every release, Adekunle Gold shows us how far and fast he’s evolving from the African-percussion led Urban Life to all the sounds that can be grouped under Afrobeats. This is a transition many would not have predicted a couple of years ago, but it’s happening, and it’s awe-inspiring.

With his latest release, ‘AG Baby’, we get closer to his much-teased third studio album “Afropop” which is scheduled for release next month. The project features appearances from Patoranking, Tekno, Olayinka Ehi and Nailah Blackman.

For ‘AG Baby’ with Nailah Blackman, Adekunle Gold hops on the Afro-dancehall wave for this self-appraising number. Enjoy this single produced by TMXO above.

Enjoy The Video For Adekunle Gold’s ‘Something Different’

Barely 24 hours after announcing the birth of his daughter Adejare, Adekunle Gold has released the visuals for his latest single, ‘Something Different’. This video finds Adekunle on the near-perfect holiday. He’s either found vibing to his music alone or having a chilled time with his woman.

With ‘Something Different’, Adekunle Gold continues the compelling journey to his coming album “Afropop”. This new offering is the story of a romance that should have been. A classic case of unrequited love. Despite the feelings they shared, they simply wanted different things. The noble Adekunle Gold wanted a relationship rooted in love. His love interest, on the other hand, wants something more transactional. A romance helmed by financial security. “No money, no honey,” she insists.

In all its lament-laced storytelling which at a point could be mistaken for gloating, ‘Something Different’ still comes across as soothing and melodious. This all thanks to AG’s candied vocals and BlaiseBeatz’s soft but dazzling production, well-spiced with soul-stirring guitar and horn riffs.

From Davido To Adekunle Gold: Lessons On Adaptability

We’d never forget Davido. Not just because of his decade-long dominance in the Afropop space, but because he’s that superstar whose hands are always stretched. “We rise by lifting others,” he’s often quoted; and for the longest, he has tried to live by this maxim. Davido is the guy who doles out money to fans on social media, hands out millions of Naira to fans on stage, helps strangers fund their schooling, projects young acts into the limelight, and pulls stranded artists out of bad deals. He’s always been one to reach out.

“I think it’s something I learned from my father. That’s just how he was growing up. From everybody in the family to his friends. I don’t know man, it’s just a natural thing for me. Don’t get me wrong, I can’t help everybody.  But I won’t lie to you, God has blessed me that I’m able to take care of my friends, my family, and also spoil myself, spoil my woman, etcetera. We are not complaining, but I do what I can for the community, I do the most I can,” he reveals in an interview with Joey Akan. 

Davido often seems like the best ally new-gen acts have in the Nigerian Afropop space. Interestingly, it is this self-imposed Santa-duty that has led him into new musical worlds. Despite being an Afrobeats giant, Davido doesn’t seem scared to leave his comfort zone when hopping on some of these tracks with new acts. Just last year, he pushed Lady Donli to new eyes and ears when he hopped on the remix to ‘Cash’ and invited her to join him on stage at his December concert.  The year before, he joined the alté frontman Odunsi (The Engine) on ‘Divine’, one of the highlights off the latter’s debut album, “rare.” 

These are not Davido’s natural sonic choices. At his core he is an Afrobeats act, playing as one of the genre’s biggest flag-bearers across the world. But he also isn’t scared to test new waters, and it shows in his willingness to work with these young acts on their turf. Davido has also served several international collaborations that have seen him stretching out of his comfort zone. ‘Dun Rich’ with Popcaan found Davido riding the Caribbean wave like a pro while blessing Quavo’s ‘Swing’ with a scene-stealing feature. 

In many of these fish-out-of-water situations, Davido doesn’t sound out of place. He meets these artists halfway, retaining his style while stepping into their world.  At the end of the day, you have a solid verse, a brilliant song. 

Most recently, the DMW boss featured on Khalid’s ‘Know Your Worth’ alongside one of Nigeria’s most promising singers, Tems. Meshed in a song with two intimidating vocalists, Davido’s vocal talents appear very limited.  Many insecure acts would shy away from such ‘set-ups’. But not Davido. He isn’t scared to try. When he wraps his pidgin-laced verse with the daring question “shey him dey treat you right, are you happy?” You search your soul, barely remembering it was delivered in a near-faint husky voice. 

Therein lies the makings of a great artist. You know you can always be better, so you step out of your comfort zone and push boundaries in your craft. And asides helping you explore new musical complexities, working with acts who create a different sound from yours also exposes you to a new fanbase.

Times are changing fast. Genre lines are getting blurred. Sounds are evolving and you can’t be caught slipping; not if you want to last long in the music space. The trick is to move with the times, while holding on to your core elements and unique style. 

The music game is so brutal and unforgiving. When people know what to expect from your new project, they lose a bit of the excitement. And once they ‘see you finish’ musically, they run off to where they can get their next thrill. Natural selection starts to take place. And before you know it, the world has left you behind. Forgotten.

Another Nigerian artist who has been open to the new generation of artists and music is M.I. While many of his peers are stuck in the boom-bap era, M.I’s recent releases have been sonically ambitious. While many are crying at how the world has moved on from “true” hip-hop, M.I appears to have found the fountain of youth.  

For his 2018 projects “Rendezvous” and “Yung Denzel”, the hip-hop elder sought the assists of the likes of Odunsi, Lady Donli, Tay Iwar, Nonso Amadi to help keep his sound up to date.  He tapped into their talents, sound, and raw energy while in turn helping to shed the spotlight on them.  True, the former Chocolate City boss might not be rocking the clubs with bangers anymore but he’s ageing even better. M.I is still mutating. We are still excited to hear his music. He’s sounding as refreshing as ever. 

Look around. How many of his peers are still playing at his level?

Over the past year, Adekunle Gold has been shedding off his signature traditional sound for something more synth-led and poppy. All the sonic and aesthetic shifts we’ve been spotting from ‘Before You Wake Up’ down to ‘Something Different’ is building up to the next album aptly titled “Afropop”. Yet, he still retains his highly relatable pen, soothing vocals, and genuine personality that made many fall in love with him in the first place. 

It won’t be so shocking to realize that for Adekunle Gold, “Afropop” isn’t even the destination. In a recent interview with Afrobeats Intelligence, he revealed plans to even redefine his sound further right after this album.  Right now, I’m making Afropop’ because that’s where my mind is. That’s where I’m in my head and that’s where I am, sonically. In 2021, it’s going to be different again. With Adekunle Gold, you don’t know what to expect really. I guess that’s how it is with me.”

The international serial-hitmaker Drake is on a never-ending quest to find new sounds to tap into. No two Kendrick Lamar albums sound alike sonically. There are even rumours that his next album leans heavily towards Rock, and we won’t be surprised if that turned out to be true. J.Cole has recently been crossing generational lines with his sound and that earned him his first Grammy. Take a look at Jay-Z, LL Cool J, Prince, Snoop Dogg; the list is endless.

Truth be told; there are no guarantees. Nothing is promised. You might step into new frontiers and it might not just work for you. You might even lose fans in the process. But you can’t play it safe all the time. Self-development and the drive to evolve is at the core of every great artist. And even when it’s rooted in survival, the willingness to explore new sonic worlds and take on new challenges rings better than sulking at how the world has moved on from your one ‘true’ sound. Want to be a good artist? Play in your little safe box. But if you want to be more, study the greats and learn to evolve your sound with the times. 

Push your boundaries. Take that risk and succeed!

Catch A Morphed Adekunle Gold On ‘Something Different’

Last week, Adekunle Gold sent a heartfelt newsletter, sharing a hilarious come-up story of him sliding into Don Jazzy’s DMs for opportunities as a budding graphics artist. This was an attempt to inspire his fans to take charge of their dreams and continue to bank on themselves. Adekunle Gold isn’t that ‘struggling’ graphics artist anymore. He is now one of Nigeria’s brightest music stars. Yet, he is still on a never-ending path of self-discovery, a redefining journey of his art and his brand. And he is very happy to take us along on this thrilling voyage.

AG’s swift evolution into a popstar is almost complete. You can easily tell from his recent pop-leaning releases as well as his interesting fashion choices. He is substituting his signature traditional African sound for something more pop-centric, trendy and synth-led. This is almost a 360 from the AG we all met in 2016.

In a fast-changing game where its golden rule says “evolve or die,” you can simply tell that Gold isn’t ready to be a victim of natural selection. And guess what? We are enjoying every bit of it!

Today, May 1, Adekunle Gold continues the compelling journey to his coming album “Afropop” with a new single titled ‘Something Different’. This new offering is the story of a romance that should have been. A classic case of unrequited love. Despite the feelings they shared, they simply wanted different things. The noble Adekunle Gold wanted a relationship rooted in love. His love interest, on the other hand, wants something more transactional. A romance helmed by financial security. “No money, no honey,” she insists.

In all its lament-laced storytelling, ‘Something Different’ still comes across as soothing and melodious. This all thanks to AG’s candied vocals and BlaiseBeatz’s soft but dazzling production, well-spiced with soul-stirring guitar and horn riffs.

Enjoy this new offering from Adekunle Gold and tell us what you think.

Adekunle Gold & Kizz Daniel Join Forces On ‘Jore’

One of the highlights of our 2019 was witnessing in real-time how Adekunle Gold morphed his artistry from something more traditional to the synth-led sound of the times. In fact, the singer has a project on the way “Afropop” which properly documents this artistic evolution.

And now, teaming up with one of Nigeria’s most gifted vocalists and top-tier songwriter Kizz Daniel, Gold is giving us just another taste of the soon-to-be-released project titled, ‘Jore‘. 

They often say when two elephants fight, it is the grass that suffers. But when two musical heavyweights join forces for a record, the fans know they are in for a treat. And by that, ‘Jore‘ doesn’t disappoint in any way.

Infectious right from the first beat, the melodic record is a smooth  joyride to a love-fueled euphoria.

Over a dazzling production spiced with soul-stirring strings from the man with the midas touch, Pheelz and Major Bangz, the pair croon about a love tale with a soulful realness. Kizz Daniel particularly comes through with a scene-stealing feature that reminds us why he is one of Nigeria’s best acts we’ve had in a while.

We possess no psychic powers but we can tell already that you’d love this one.

Enjoy the record here.

Teni Is The Star Of The Night At The 2019 Headies

After a night full of surprises, impressive live performances and disappointing rounds of no-shows, Teni emerged the biggest winner at the 2019 Headies. The singer who recently released her “Billionaire” EP walked home with four awards out of her six nominations including Best Pop Single for her 2018 monster hit, ‘Case‘. She was closely followed by Falz who bagged three awards including Best Album for the critics’ darling “Moral Instruction“. The biggest surprise of the night was Burna Boy who secured only two awards out of his eight nominations as well as Adekunle Gold who didn’t win any awards of his five nominations.

For the coveted Next Rated Award, Rema edged over Victor AD, Lyta, Zlatan and Joe Boy to secure the category that traditionally comes with a car. The Mavin Records‘ superstar, therefore, joins the ranks of Wizkid, Davido, Wande Coal, Asa, Reekado Banks who have won that award.

Here’s the full list of winners:

Revelation Of The Year: Mayorkun

Producer Of The Year: KillerTunes

Best Performer Award: Yemi Alade

Best Collaboration: Burna Boy x Zlatan -Killin Dem

Best Rap Album: Falz -Moral Instruction

Lyricist On The Roll: A-Q

Best Alternative Song: Johnny Drille

Best Rap Single: Falz -Talk

Best Street Hop Artiste: Chiko Ekun – Able God

Best Vocal Performance (Male): WurlD

Best Vocal Performance (Female): Teni

Rookie Of The Year: Barry Jhay

Best R&B Single: Seyi Shay – Give Me Love

Best Pop Single: Teni – Case

Best R&B Album: Mayorkun – Mayor Of Lagos

Best Music Video: Clarence Peters – Dangote

Next Rated: Rema

Artiste Of The Year: Burna Boy

Best Recording Of The Year: Teni

Song Of The Year: Burna Boy – Ye

Headies’ Viewer’s Choice: Teni

Burna Boy, Teni and Adekunle Gold Top 2019 Headies Nominations List

Considered by many to be the biggest and most prestigious Nigerian music award show, The Headies has released the highly anticipated nominations list for its 13th edition set to hold on October 19. As expected, Burna Boy who has been enjoying an amazing run since 2018 tops the nominations list with eight personal nominations including Artiste of the Year, Album of the Year and Song of the Year. Making him the artiste with the highest nominations ever in just an edition since the inception of the award show 13 years ago. The African Giant is closely followed by Teni who secured six nominations and Adekunle Gold, competing in five categories.

For the coveted Next Rated award, newcomers Rema, Victor AD, Lyta, Zlatan, Joeboy and Victor AD battle it out in the category which traditionally comes with a car. It is important to note however that the year in view stretches from January 2018 to June 2019.

Check out the full nominations list below.

ALBUM OF THE YEAR

1. About 30 – Adekunle Gold

2. Outside – Burna Boy

3. Moral Instruction – Falz

4. No Bad Songz – Kizz Daniel

SONG OF THE YEAR

1. ‘Ye’ – Burna Boy

2. ‘Dumebi’ – Rema

3. ‘Wetin We Gain’ – Victor AD

4. ‘Fake Love’ – Starboy ft Duncan Mighty, Wizkid

5. ‘Case’ – Teni

6. ‘Leg work’ – Zlatan

7. ‘Baby’ – Joeboy

8. ‘Jealous’ – Fireboy DML

ARTISTE OF THE YEAR

1. Burna Boy

2. Wizkid

3. Davido

4. Tiwa Savage

5. Falz

BEST RECORDING OF THE YEAR

1. Adekunle Gold – Ire

2. Patoranking – Heal D World

3. Brymo – Olanrewaju

4. Teni – Uyo Meyo

5. Burna Boy – Ye

HEADIES’ VIEWER’S CHOICE

1. Mr Eazi

2. Burna Boy

3. Teni

4. Fireboy DML

5. Rema

6. Joe Boy

7. Wizkid

8. Davido

BEST RAP SINGLE

1. ‘Talk’ – Falz

2. ‘We Don’t Do That Over Here’ – Hotyce

3. ‘40ft Container’ – Illbliss ft. Olamide

4. ‘Sacrifice’ – Payper Corleone Ft. Alpha Ojini

5. ‘Gang Gang’ – AQ and Loose Kaynon

BEST RAP ALBUM

1. ‘Moral Instruction’ – Falz

2. ‘Crown’ – AQ and Loose Kaynon

3. ‘A Study On Self Worth: Yxng Dxnzl’ – M.I Abaga

4. ‘Clone Wars, Vol. IV (These Buhari Times)’ – Show Dem Camp

LYRICIST ON THE ROLL

1. YCEE – ‘Balance’

2. Boogey – ‘Implode’

3. Paybac – ‘Implode’

4. Ghost – ‘Crown’

5. Tec – ‘Crown’

6. AQ – ‘Crown’

PRODUCER OF THE YEAR

1. Phantom – ‘Ye’ b Burna Boy

2. Ozedikus – ‘Dumebi’ by Rema

3. Spellz – ‘Askamaya’ by Teni

4. Killertunes – ‘Fake Love’ by Starboy ft Duncan Mighty and Wizkid

5. Kel-P Vibes – ‘Killing Dem’ by Burna Boy ft Zlatan

BEST MUSIC VIDEO

1. ‘Dangote’ (Burna Boy) – Clarence Peters

2. ‘Available’ (Patoranking) – Clarence Peters

3. ‘Ire’ (Adekunle Gold) – Aje Films

4. ‘Talk’ (Falz) – Prodigeezy

5. ‘Jaiye’ (Ladipoe) – 88 Factor

BEST COLLABO

1. ‘Like’ – Reekado Banks Ft. Tiwa Savage, Fiokee

2. ‘One Ticket’ – Kiss Daniel ft. Davido

3. ‘Fake Love’ – Starboy ft Duncan Mighty, Wizkid

4. ‘Killin’ Dem’ – Burna Boy Ft. Zlatan

5. ‘Amaka’ – 2baba Ft. Peruzzi

BEST VOCAL PERFORMANCE (MALE)

1. Tay Iwar – ‘Utero’

2. Johnny Drille – ‘Finding Efe’

3. Nonso Bassey – ‘411’

4. Funbi – ‘Serenade’

5. Wurld – ‘Wishes & Butterfly’

BEST VOCAL PERFORMANCE (FEMALE)

1. GoodGirl LA – ‘Bless me’

2. Waje – ‘Udue’

3. Teni – ‘Uyo Meyo’

4. Tems – ‘Mr Rebel’

5. Falana – ‘Repeat’

BEST ALTERNATIVE SONG

1. ‘Cash’ – Lady Donli

2. ‘Mr Rebel’ – Tems

3. ‘Finding Efe’ – Johnny Drille

4. ‘Heya’ – Brymo

5. ‘Ire’ – Adekunle Gold

BEST PERFORMER.

1. Falz

2. Tiwa Savage

3. Brymo

4. Yemi Alade

5. Adekunle Gold

BEST STREET-HOP ARTISTE

1. Erigga – ‘Motivation’

2. Chinko Ekun – ‘Able God’

3. Zlatan – ‘Leg Work’

4. Barry Jhay – ‘Aiye’

5. Lyta – ‘Time’

HIP HOP WORLD REVELATION

1. Odunsi

2. Mayorkun

3. Wurld

4. Humblesmith

NEXT RATED

1. Rema

2. Joeboy

3. Fireboy DML

4. Victor AD

5. Lyta

6. Zlatan

BEST COLLABO

1. ‘Like’ – Reekado Banks Ft. Tiwa Savage, Fiokee

2. ‘One Ticket’ – Kiss Daniel ft. Davido

3. ‘Fake Love’ – Starboy ft Duncan Mighty, Wizkid

4. ‘Killin’ Dem’ – Burna Boy Ft. Zlatan

5. ‘Amaka’ – 2baba Ft. Peruzzi

BEST R&B SINGLE

1. ‘Tipsy’ – Odunsi ft. RAYE

2. ‘Serenade’ – Funbi

3. ‘Uyo Meyo’ – Teni

4. ‘Wishes and Butterflies’ – Wurld

5. ‘Gimme Love’ – Seyi Shay ft. Runtown

BEST POP SINGLE

1. ‘Ye’ – Burna Boy

2. ‘Wetin We Gain’ – Victor AD

3. ‘Fake Love’ – Starboy ft Duncan Mighty, Wizkid

4. ‘Case’ – Teni

5. ‘Jealous’ – Fireboy DML

6. ‘Baby’ – Joeboy

ROOKIE OF THE YEAR

1. Crayon

2. Buju

3. Barry Jhay

4. Oxlade

AFRICAN ARTISTE RECOGNITION

1. Master KG – Skeleton Moves (SOUTH AFRICA)

2. Afro B – Drogba (Joanna) (IVORY COAST)

3. Sauti Sol – Melanin (KENYA)

4. King Promise – CCTV (GHANA)

5. DJ Maphoriza – iWalk Ye Phara (SOUTH AFRICA)

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